|Church Stained Glass Windows
recorded by Robert Eberhard - updated January 2017
|Stained Glass Windows at
St. Peter & St. Paul|
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|EW||1882||3||Lavers, Barraud & Westlake signed||Top: Ctucifixion. Bottom: Last Supper||The Guardian 1 Nov. 1882|
|SC3||1901||2||R. Anning Bell||Baptism||Kennett +1873||Illustrated in Art Journal 1906, p247|
|SAE||1882||3||W.F. Dixon||Faith; Charity; Hope||Illus. London News 23.9.1882. (Pevsner is incorrect)|
|SA1||2||Mayer||St. Peter;St Paul||NADFAS Record|
|SA2||1870||3||James Powell & Sons||Flowered quarries||Edward Hale||Powell Cash Book 55/209|
|SA4||1888||3||Ward & Hughes signed||Christ with Mary & Martha; Baptism; Charge to Apostles||Hampshire Chronicle 11 Aug. 1888|
|WW||+1876||3||Ward & Hughes||3 Maries at Sepulchre; Ascension; Noli me Tangere||Stylistic attribution|
|NC1||+1911||2||R. Anning Bell||Nativity||Kennett||Faculty 175 F/6|
|NC3||1896||2||R. Anning Bell||Annunciation||Higgens||Illustrated in Art Journal 1906, p247|
|NAE||1888||3||Ward & Hughes signed||Christ saves Peter from the waves||Charnock +1887||Hampshire Chronicle 11 Aug. 1888|
|NA4||1874||3||H. Hughes signed||Nativity||Barkworth|
|NA5||1895||3||Ward & Hughes signed||Christ among the lilies||Hampshire Post 25.1.1895|
|NAW||1888||1||Ward & Hughes||Good Shepherd||Hampshire Chronicle 11 Aug. 1888|
Location of windows
The coding system is based on that used in Nineteenth Century Norfolk Stained Glass by Birkin Haward.
All windows are numbered consecutively from east to west in any north or south facing wall and
from the centre outwards in any east or west facing wall. Windows of 2 and 3 lancet lights
are shown as 2 and 3 light.
In the column headed date, the date (without a + sign) is the date the window was made. In that column and in the column headed Memorial a date prefixed by a + sign is the date of death commemorated in the window.
Firms / Designers
The booklet Stained Glass Marks & Monographs published by NADFAS, 8 Guilford Street, London, WC1N 1DA provides details of makers’ signatures and marks and short biographical information on many designers and firms.
A reasonably comprehensive listing of subjects is provided, except in cases where there are many small scenes or many saints, particularly if the windows are high up. For reasons of space, the title ‘Saint’ has often been omitted, most commonly in 4 evangelist windows.
Persons and events commemorated
These are mainly recorded only as a cross-reference to documentation.